{"id":112,"date":"2020-04-09T22:31:50","date_gmt":"2020-04-09T22:31:50","guid":{"rendered":"https:\/\/artdeadline.com\/articles\/?p=112"},"modified":"2020-04-11T23:57:57","modified_gmt":"2020-04-11T23:57:57","slug":"vermeer","status":"publish","type":"post","link":"https:\/\/artdeadline.com\/articles\/vermeer\/","title":{"rendered":"Vid: Why is Vermeer&#8217;s &#8220;Girl with the Pearl Earring&#8221; considered a masterpiece?"},"content":{"rendered":"<p>Is she turning towards you or away from you? No one can agree. She\u2019s the subject of Dutch Master Johannes Vermeer\u2019s &#8220;Girl with the Pearl Earring,&#8221; a painting often referred to as the \u2018Mona Lisa of the North.\u2019 But what makes this painting so captivating? James Earle explains how this work represents the birth of a modern perspective on economics, politics, and love.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/pM_IzEAv5d4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Is she turning towards you or away from you? No one can agree. She\u2019s the subject of Dutch Master Johannes Vermeer\u2019s &#8220;Girl with the Pearl Earring,&#8221; a painting often referred to as the \u2018Mona Lisa of the North.\u2019 But what makes this painting so captivating? James Earle explains how this work represents the birth of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":115,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[13],"class_list":["post-112","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-history","tag-curatorial"],"_links":{"self":[{"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/posts\/112","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/comments?post=112"}],"version-history":[{"count":3,"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/posts\/112\/revisions"}],"predecessor-version":[{"id":131,"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/posts\/112\/revisions\/131"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/media\/115"}],"wp:attachment":[{"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/media?parent=112"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/categories?post=112"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artdeadline.com\/articles\/wp-json\/wp\/v2\/tags?post=112"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}