Cubist artists abandoned perspective, which had been used to depict space since the Renaissance, and they also turned away from the realistic modeling of figures. CHANGING EXPERIENCE OF SPACE, MOVEMENT, AND TIME IN THE MODERN WORLD Cubists explored open form, piercing figures and objects by letting the space flow through them, blending background into foreground,
The general value of arts and culture to society has long been assumed, while the specifics have just as long been debated. Try to imagine society without the humanising influence of the arts, and you will have to strip out most of what is pleasurable in life, as well as much that is educationally critical…
The Collections database consists of entries for more than 480,000 works in the Musée du Louvre and Musée National Eugène-Delacroix. Updated on a daily basis, it is the result of the continuous research and documentation efforts carried out by teams of experts from both museums… Visit Here
Las Meninas[a] (pronounced [laz meˈninas]; Spanish for ‘”The Ladies-in-waiting”‘) is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Golden Age. Its complex and enigmatic composition raises questions about reality and illusion, and creates an uncertain relationship between the viewer and the figures depicted. Because…
There is a question that has been tossed around by philosophers and art critics for decades: how much should an artist’s intention affect your interpretation of the work? Do the artist’s plans and motivations affect its meaning? Or is it completely up to the judgment of the viewer? Hayley Levitt explores the complex web of
